Here is my current warp on my loom! Just what I taught my students to avoid–unevenly handspun singles yarns that are lumpy and sticky for warp threads. This is silk yarn I brought back from Bhutan–mainly to show the tour group what handspun yarn looked like. I did use plied threads for the 4 selvedge threads on the edges and weighted them separately. I used 5/2 cotton but a plied silk might have been a better idea.
From Linda Heinrich’s linen workshop at Convergence in 1994 and from her book on weaving linen I learned how easy it is to size a warp on the loom. Before now I’ve always been afraid to size anything. Her recipe is 1 tsp flax seed (any kind will do) to 1 cup of water. Simmer 15 minutes and strain. Refigerate and use within 2 weeks or freeze.I brush on the sizing then strum the threads and then open the shed to dry. Don’t apply too much–sort of like dry painting but pat the threads to get the sizing to go through to the bottom of the threads.
This is the yarn on the skein. I’ve shown it before to show the cross made in the skein. The threads are horribly sticky but with the cross the threads are coming off perfectly. There are plenty of soft-spun lumps and thin areas where it is twisted tighter. I knew from winding the yarn off the skein that the threads were strong–that’s what convinced me to try them for a warp. The stickyness would have prevented the sheds from opening without sizing I realized.
Here is the cloth off the loom and wet finished. I got the cloth really wet in the sink then blotted with a towel. And ironed until dry I love ironing and ironing until dry and I love the sheen I got with the totally mat yarns.
Here is the cloth I just dyed with black walnuts I collected last week. What frun all this is. I can’t wait for the warp to dry and begin weaving again.
Here are pictures I took at the fair over the weekend. Don’t miss it–rain or shine–it was glorious to be around a variety of crafts people. Most people don’t get to see this part of Petaluma–a real farm with animals in gorgeous countryside. The last day is this Sunday, Dec. 2 from 10:00-4:00 at 2263 Chileno Valley Road, Petaluma 94952. www.windrushfarm.wordpress.com
Yarns of course from the farm’s sheep as well as a booth with unusual yarns from Japan. The ball of yarn in the photo is made from fiddlehead fern fuzz and the brown skein is made from the stems of wild silk cocoons. This is a small sample of the unique things not found in yarn shops.
These fibers are hand dyed ready for spinning or making felt.
Here are a variety of goodies made by this happy woman.
Delicious pizza was made to order and baked in the outdoor oven. I had two!
Fun for the kids, too. These LEGO experts were having a grand and vigorous time on a bench where they found a box full of pieces.
These boys are having a great time on a wood structure.
Here’s a curious cow wanting to know what I was doing as I left for home.
The fine silk warp at 125 ends per inch stymied me and I walked away and left it on the loom for a year and a half. I thenbegan dyeing. I knew there were enough threads left unbroken to weave so I began weaving with some heavier handspun silk from Bhutan. When I took off the entire warp, This piece is what I found had already been woven–and I loved it. Originally I was weaving a tube but had decided to weave two separate layers–hence this piece was formed! [click photos to enlarge to see detail]
Here is the cloth woven with the silk from Bhutan. I decided just to weave off the warp with it so I could cut it up to dye later with the natural dyes I’ve been playing with.
You may remember the skein from Bhutan from another post. The skein was unusual because there was a cross in it. Even this extremely sticky thread came off the skein perfectly.
Here is my latest peice–5 yards to try the new silk/retted bamboo thread I saw in Handwoven Magazine. I love it. I the twill warp face on one side and weft faced on the other so when I dye it I’ll have two choices of tones of color.
Today I started to weave again after over a year. It takes two swifts to hold the skein.
This skein of raw silk from Bhutan has a cross in the middle of it! I’d never seen such a skein before. However it really makes it easy to ball off the yarn because of the cross. This is definitely hand spun and sticky.
Here’s that hand spun yarn woven with my fine silk warp at 125 EPI.
I decided to try a fatter weft so the weaving would go faster. I may have a dog on the loom. I’ve spent so much time already with broken ends I can’t quite give it up yet. I think I’ll use the cloth to dye with my dyes I brought back from Japan. I’m weaving two layers at once. Well since I’m going slowly anyway, why not?