Select books HERE then in checkout enter the discount code “HOLIDAYBOOKS” to get 30% off if you order any two print books from the website.
Weaving Books
Give the Gift of Weaving Books! A Free Book When You Order My New Edition of Weaving for Beginners
Go HERE to order the new edition of Weaving for Beginners: an Illustrated Guide.
Read about this new edition in my post of October 20, 2025 HERE
In the cart, HERE enter the discount code “WARPING” to get a free copy of Warping Your Loom & Tying on New Warps by Peggy Osterkamp when you order Weaving for Beginners. (Remember to ADD BOTH BOOKS TO THE CART in order to get the free book.)
About Warping Your Loom & Tying on New Warps:
In Book 2, learn how to prepare your loom for weaving — beginning at the back of the loom. You will learn how to beam on, thread, and sley the reed. Also: chapters on sectional beaming, tying on new warps, knots, and adjusting jack, counterbalance and countermarch looms. Step-by-step instructions and sections at the ends of chapters for quick reference. Having Peggy’s books at your loom is like having a patient teacher at your side.
Fourth edition ©2021, revised edition; 206 pages, over 200 illustrations.
Give the Gift of Weaving Books! A Free Book When You Order My New Edition of Weaving for Beginners.
Go HERE to order the new edition of Weaving for Beginners: an Illustrated Guide.
Read about this new edition in my post of October 20, 2025 HERE.
In the cart, HERE enter discount code “WINDING” to get a free copy of Winding a Warp & Using a Paddle by Peggy Osterkamp when you order Weaving for Beginners. (Remember to ADD BOTH BOOKS TO THE CART in order to get the free book.)
Information about this book can be found on my website under the tab: Books/DVD HERE
Summer Sale: 30% OFF – My Red Books Are Packed with Information NOT in the Beginning Book
I wrote these 3 red books to pass on the production weaving techniques I learned in a Production Weaving class at Pacific Basin School of Textiles in the 1970’s. Jim Ahrens was the teacher. At the time he was also teaching John Violet how he built his production looms. That was the beginning of AVL looms.
I reminded myself that there is a lot of information in my 3 red books when I went looking for shuttle information in Book #3: Weaving & Drafting Your own Cloth. I was having shuttle trouble while weaving the cloth for my vest woven with the Sunday Comics.
I wrote the first book Winding a Warp & Using a Paddle with one of my production weaving students, Carol Hillestad. We lived in New York City and passed drafts across the subway platform gates. I visited her in her office in one of the World Trade Towers! I gave her the info, then she wrote it for the text. We decided if it couldn’t be said in writing, we would need an illustration. I published it in 1992. In the subsequent editions a lot more illustrations were added! See below for some illustrations in Book #1.
Summer Sale Book 1 – 30% off. Discount applied in cart – Order HERE
Why use a paddle?
“More than two ends will inevitably braid up on each other, as you know all too well if you have ever tried knitting with three or more colors. By the end of the row, you have a tangle of yarns to untwine.”
There is a whole chapter on sett including 14 pages of Sett Charts with entries for upholstery, production weaving, clothing, woolens, and delicate fabrics. Collapse weaving uses the “delicate” sett in general.
A warp comb can be made to order to use as a raddle for fine threads. “A commercially made warp comb, or drawing in comb, is another form of raddle and looks just like a reed, except that it’s only about two inches tall and the top comes off. These are available from companies that manufacture reeds.
Book #2, Warping Your Loom & Tying On New Warps was first published in 1995.
I always envisioned a big book like the Collingwood book, but was afraid it would never get done. That’s why I wrote one book at a time. There is so much in it because I was really afraid that it would be my last book. Sharon Alderman, one of the editors told me , “There is stuff in the book that doesn’t belong there.” See below some of the illustrations from Book #2.
Summer Sale Book 2 – 30% off. Discount applied in cart – Order HERE
Photo 8 of 8
Book #3, Weaving & Drafting Your Own Cloth was published in 2005.
I put in them all that I knew that I’d learned from Jim Ahrens and probably some of what I learned from my teaching. See below some of the illustrations in Book #3.
Summer Sale Book 3 – 30% off. Discount applied in cart – Order HERE
Peggy’s Black Friday Holiday Specials Are Back!
Introduction:
I thought I would tell a bit about each of my books and maybe some of the back story about how I came to write them. If you like, just skip to my website: www.peggyosterkamp.com for details of the Holiday Sale. Buy One book and Get One Free!
My annual Holiday Sale begins today on Black Friday. “Buy one, get one free with your order”. You can request a free book with every item you buy. The website: WWW.PeggyOsterkamp.com has all the details.
Book #1: Winding a Warp & Using a Paddle was first published in 1992 and was revised and enlarged in 1998 and reprinted for the Third Edition in 2005. While we were still living in Greenwich Village in New York Carol Hillestad, one of my students was an aspiring writer and offered to write a book for me. I gave her the information and she did the writing (not just editing but really writing). She had an office high up in one of the twin towers which made it a thrill to go there. We also passed manuscripts over the turnstiles in the subway. We moved to California and a fellow weaver in the local guild offered to design the book. Since we had to pay for each illustration, Carol and I decided that we’d only have an illustration when words couldn’t wouldn’t suffice. After the first edition, another weaver scolded me and said “Weavers are VISUAL people [she shouted] and we want more illustrations”. That was good advice, and I found a fine illustrator after 2 people didn’t work out. I really wanted a big book like Peter Collingwood’s bible but I knew it would never get done that way so decided to only do the winding the warp part of setting up the loom for the first book. I added the paddle part because I thought everyone would be hot for that. (It wasn’t the case). The sett charts in the back I use a lot: there are several pages of them for different yarns and again for twill as well as plain weave.
This book guides you through every step of planning a project and measuring the warp threads. I see that I got a testimonial from Peter Collingwood: “It is wonderful that these books put today’s weavers in touch with well-tried European methods and so keep alive a tradition of real textile craftsmanship.” (WOW!)
Book #2: Warping Your Loom & Tying On New Warps came out in1995 and the second and third editions, in 1997 and 2002. Now it’s out of print but available as a pdf. The reason for writing the books is that the information Jim Ahrens taught us at Pacific Basin School of Textile Arts was revolutionary. That is, American handweavers were not using this information that production weavers in Europe and around the world were using. In his class, Production Weaving, he taught us those techniques and I felt the information must be passed along to future weavers. I apprenticed with him for a year and I kept a folder with all the things he taught us that year. We called it the “Chairman Jim File.”
This book guides you through every step of beaming your warp and threading the loom. Plus, comprehensive chapters: Adjusting Looms, Tying On New Warps, Sectional Beaming, Knots, and more.
Again, I was afraid I wouldn’t get more books written so I put a lot more in it that the title indicates—just in case. On the title page, I wrote: “A guide that makes weaving fun with new techniques from European handweavers and the textile industry.
Book #3: Weaving & Drafting Your Own Cloth, came out in its third printing in 2005. I’m not sure when the first edition was printed. Finally, I got to the weaving and drafting part of the process. In all three of these books I put in everything I knew and what Jim taught us. I call them tomes because I wrote why about everything and much more than many weavers need to know.
This book guides you through every step from weaving motions, shuttles and selvedges to finishing your cloth. When problems come your way there’s an extensive chapter on trouble shooting. The drafting chapter explains how to create your own designs as well as to use drafts in books and magazines. I wanted it to be for those weavers who think that they will never understand drafting. Also included: Drafting for Analyzing Fabric and Drafting for Multi-shaft Weaving.
Book #4: Weaving for Beginners. It came out in 2010 with the Second Edition in 2014 and just now, the Third Edition. This time I put in all the steps and left out a lot of the “whys” and had the illustrator make over 600 illustrations. I taught Beginning Weaving at our junior college for 10 or so years and this is what I taught them—all using the same efficient techniques. I hoped that someone could teach themselves with only the book. I also hoped teachers would use it for themselves to plan their classes as well as use it for a text for students. They could demonstrate something for the whole class and say what page it was on. Students could follow along as well as come back and refer to it when they got to that stage.
Jim’s techniques did not cover warping “Front-to-Back” so I asked an expert to write that chapter and I helped edit it so that I could understand it. Front-to-back is like standing on my head for me. Other experts wrote the chapter on computers. And others did chapters on hand-manipulated weaves and a beginning chapter: Rigid Heddle Weaving.
This time Jason Collingwood wrote a testimonial. “Clear, concise and well presented information, her books on warping are a valuable addition to any weavers library and are, as such, thoroughly recommended.” (I was thrilled for this.) Also Syne Mitchel who I greatly admire wrote: “Peggy Osterkamp’s books are wonderfully thorough. They were my go-to references when I was learning to weave.” (I’m remembering when I got up the courage to ask for those testimonials).
The DVD: Warping the Loom Back to Front, (2005) was also demanded by a workshop student I had from West Virginia. I thought it was the hardest thing I’d ever done at the time. The producer said I should not tell “why” about anything. I asked, “Why?”. She said, “People don’t want to know.” It was hard making the script and harder yet to stick to it. They did a great job of editing. I’m pleased with it because it exactly follows the process I describe in my books.
Then I was told that people weren’t going to have DVD players in the future so Bob, my tech dude, helped me get video on demand. People still seem to want DVDs and I’m glad I can offer it “on demand”, too.
Footnote:
I took these pictures in my studio this morning. I have to say it took some doing not to show the messes all around! I never know when a project/idea is finished and then I begin something new right on top of the old ones. When I need to find something, sometimes it’s like an archeological dig to get to the bottom layers. I wish I had more on the looms today, but what is, is, right?
Peggy