Kaketsugi Mending Revisited: More Information

Introduction:
An hour or two after I put up the last post on mending, I got a phone call from New York. My friend Alice is a retired textile conservator. We were good friends when I lived in the West Village, and I would often hear stories of her anguish over a project she was working on. So I know she’s a perfectionist. She had strong objections. We had several long conversations about particulars I missed.  All I knew was what I’d seen in the YouTube video, “The Magic of Kaketsugi Renovation”. Here is the Video:

Both my previous post and this one refer to this video.  Look at the video to see the technique of kaketsugi closely and what is done on the wrong side. I am only showing what takes place on the face of the fabric.

This post is about Alice’s comments and advice. She made a point of saying how important it is that ideally, the repair cloth be from the same fabric that is being mended. The threads need to match thread-for-thread. She sometimes had to take small bits of threads from a hem or seam in her work. When none were available, she sometimes dyed threads. Good light is essential and magnification. Alice has several pairs of prescription glasses for her work. Other than regular and tapestry needles, one might use a tiny latch hook, or some other tiny hook. Her comments about thread loops were that the thread loop needs to be fairly long, smooth, strong, and fine enough to go through the cloth.

I found many techniques for mending on YouTube. This post is about one method of mending using a patch. A patch shows on the wrong side and needs to be in a situation where there is enough cloth to sacrifice for the patch itself. It can be for larger mends. Re-weaving is often used for small holes. Threads are actually woven in, and the mend doesn’t show on the wrong side. Remember, the end use of the fabric will be a consideration. For example, whether a shawl, or a tablecloth that will be laundered, or an elbow in a sleeve that is being repaired. In other words, consider each individual circumstance when choosing the best method. Here is the video that clearly shows re-weaving:


This photo is of my own practice patch showing the small amount done on the left when I first posted. Notice that the threads in the patch were distorted. That happened when I pulled the repair threads through the cloth too hard. On the right side of the patch you see what I did in an entire Sunday afternoon after my first talk with Alice. And I still didn’t have the technique right.

She pointed out that in the video, when the needle was wiggled, the needle never came to the surface of the cloth. This was a significant observation.  Only fibers on the back of the cloth were caught with the sharp needle. (I had used a blunt tapestry needle.) And, the needle always came out of the cloth at about at the same distance from the patch. Look at the narrow side of my patch to see this. Also, this time my needle went down to the wrong side exactly at the edge of the patch. This looks like a clear improvement from my two previous attempts where I tried to weave the needle in and out of the cloth itself.

There needs to be some slack in the repair thread so it can travel its path. In this photo the thread loop is near the tip of the repair thread.  If the repair thread slips out when pulled into the fabric, then make the loop closer to the patch. Also, notice that your thumb will need to add some tension as you pull the thread loop along its path into the cloth to keep the repair thread from slipping out of its “lasso”. How much slack and how much tension depends on any given situation. It will need a bit of a tug to get the repair thread pulled through the cloth. Check each time that the repair thread came out of the cloth and didn’t slip out of the loop. I checked the video again and I had done just exactly what the video said to do without allowing any slack! Alice explained that each fabric is different and either way would be best for a certain fabric or situation. Again, practice first to see what works for each repair job.

In this photo, the tails of the thread loop go into the cloth first and the loop with the repair thread behind.  (In the video and my previous post, the loop of the thread loop went into the cloth first. And the tails of the loop thread came out last.) The method in the photo here is perhaps a gentler method for delicate fabrics, that is, the tails of the loop thread exit the cloth first, with the loop last. It’s a matter of when the thread loop “lassos” (encircles) the repair thread. You must practice a bit on each project to see which of these techniques works better.

Which way is better— the tails coming out of the cloth first or the loop? With the tails coming out of the fabric before the loop, there are only 4 threads to be pulled through the cloth: 2 from the loop thread plus 2 from the repair thread. With a fine or delicate fabric this might be the better way. (And with your own practice, you might find the other way works better.)  Compare with the next photo.

This photo shows the thread loop exiting the fabric before the tails. Notice that 6 threads must go through the fabric: 4 for the loop thread plus 2 for the repair thread.  For hours I practiced: tails first, loop first until I could see and feel the difference. For the technique in this photo (loop first), it took more of a tug to pull the thread loop and repair thread through the cloth because what had to go through the cloth was thicker.

The reason to use the thread loop is that the repair threads are usually too short to thread through the eye of a needle the normal way. In many mending situations the mending threads can be quite short.

From an Easy Way to Thread a Needle to The Magic of Kaketsugi Restoration

Everyone may know this technique for threading a needle. Beate Schauble’s comment about my moth-eaten blanket sent me to this fascinating YouTube video: “The Magic of Kaketsugi Restoration”. I wanted to make a post about it so that I could have an excuse to try it. I have a lot of patience but I can’t conceive of the idea that I would even do one tiny patch the Kaketsugi way! I’m still thinking about what I’ll do with the blanket and appreciate all the suggestions people have sent.

Kaketsugi is a method of mending that takes a patch from a hidden part of a garment and pulls threads from the patch into the cloth to be mended. You need the patch to be the same fabric so the threads can match thread-for-thread. I found pieces of a cloth that were dyed and undyed to give contrasting colors with the same thread count for my experiment. I was startled to see how big the patch had to be to give enough for the fringes on all 4 sides. I used a rather fine tapestry (blunt) needle.

The first 3 photos show the method of threading a needle using a loop of thread. This technique is used in Kaketsugi mending.

The thread is inserted in the thread loop.

You pull on the loop and that draws the thread right through the eye of the needle!

For Kaketsugi you thread a needle with a loop. Then isolate the thread you will work into the cloth. Hold the other threads back with the thumb so you can see where to insert the needle.

Weave the needle in and out of the cloth in the place where the thread is to go. Only pick up a thread or 2 on the right side of the cloth so it doesn’t show.

Insert the patch-thread into the loop in the needle.

Pull the needle out of the cloth, pulling the loop and patch-thread through the path the needle took and come out to the surface.

When you pull the needle with the loop thread out of the cloth it pulls the patch-thread along the path like magic. Note at first I wove the needled in and out too coarsely so it shows too much. As I got better you can barely see the path of the repair thread. In the video you can see that the fringes are brought to the wrong side and a patch is ironed over the threads.

Mending Moth Holes with Needle Felting

While staying at home, I’ve been really almost too busy–maybe procrastinating getting to work on creative stuff like finishing the pile of weaving projects on my table. I had told a friend who wanted her sweater holes fixed that I could do it and it has been sitting on my desk for a few days. That only took a few minutes to do but then I thought it could be a good post. Taking photos, deciding which to use, writing text for each, labeling photos to texts, email all to my tech guy.  Whew!! The day is about over and I promised myself I’d watch a movie tonight (it’s a choice between that and the Met opera that’s on the computer every night. Go to: www.metopera.org. There’s a different one every night, they are free and you can play them anytime of day or night! The scheduled ones are great ones! The next post will be on weaving–I promise.  Peggy



Moths seem to love to eat cashmere and one hole can ruin a whole sweater. I learned this from Yoshiko Wada and at Dharma Trading Company San Rafael, CA. www.dharmatrading.com  I’ve also knitted patches which you can see in the last post.
Here is the equipment needed. The fiber comes from a spinner or spinning/needle felting store. I got this from Windrush Farms at my farmer’s market.  www.windrushfarm.wordpress.com She sells small amounts of colored fiber for felting. I have used a brush or styrofoam instead of this brush-like tool that comes with needle felting supplies. I like it a lot—stays put—and I don’t poke my fingers.

Pull the fibers apart and crisscross them and make a small loose ball or wad.

Put the fiber on the wrong side of the sweater and poke all over the area with the felting needle. Watch your fingers it is SHARP!

I thought mine needed an extra wad so I worked over the area again on the right side. Check the right side and if a few hairs, poke them to the wrong side.

My fleece didn’t match as well as I’d like, so you may not want to do it on the obvious places. However, the hole(s) will not get bigger and the sweater is stable.

I preferred to knit patches and needle felted them in place, using the back side of the knitted patch. Look closely and you can see another hole mended just with white fiber and needle felted—not too bad. Use a fuzzy or fluffy yarn. I loved this kid mohair swear and couldn’t bear losing it. I made extra patches as a “design feature”.