I have revived my indigo vats and neither of them is dark enough for my taste. This picture is what I gave as gifts to the artisans we visited in Japan last year. The writing is Peggy Osterkamp. Gift wrapping is important there. This is the blue I hoped for with the revived vats now. [click images to enlarge]
This is what I got from my oldest vat after many dips. I was disappointed but maybe I’ll learn to like it. I plan to dip again in my “younger” vat and see if I can achieve the depth of color.
The technique I learned from a class with Yoshiko Wada with Chris Palmer. After folding the cloth I wrapped it on a pole for dying–called “arashi shibori”. I love the technique and the mysterious lines it makes.
I took a workshop with Yoshiko Wada’s Slow Fiber Studios in Berkeley, California recently. We learned to fold cloth in origami-like ways and then we did arashi shibori (pole wrapping shibori) with the cloth and got these lovely simple patterns. The teacher was Chris Palmer and his book is called Shadow folds: Surprisingly Easy-to-Make Geometric Designs in Fabric by Jeffrey Rutzky and Chris K. Palmer.
I folded and dyed 11” silk squares I got already hemmed from Dharma Trading Company. This was my first attempt at arashi shibori and I used my own indigo vat. I am proud of the results for such a novice. They can be used singly or as a group as pieces for the wall or gifts.
I took small pieces I’ve dyed and made little collage compositions and mounted them on squares of dark indigo linen I got in India a few years ago. We went to see the Matisse and Diebenkorn show yesterday and I decided to call these pieces “My Little Diebenkorns”! They can be used singly or in a group, too. I have put similar pieces in CD cases to present them! They also could be little coasters or gifts.
I had really nice responses to my previous post which showed details of my new collage wall hangings with my dyed fabrics. Now you can see what they are like in reality. There are seven–all 11″ wide and 36″ long. Now if you want to see details again, you can go back to the first post. Click on these thumbnails to see them full size then click again to see the detail.
Each composition is made up of fabrics that were in the same dye pot. The differences in the tones are due to the different fabrics I put into the pot. I love these subtle “colors”. The yellows were from woad plants. The browns were from green persimmons over dyed with indigo. I especially find myself liking things that have almost no color at all. One of these is from oak galls. I can’t remember all the specifics but I like to put dyed fabrics in a bath of iron water to “sadden” the color.
I’m weaving 125 fine threads per inch so I can weave another ruffle (see my gallery) which I will shibori dye with indigo. Then the ruffle will disappear and appear in the dyed and un-dyed areas. [click any photo to enlarge]
I’m trying to weave with finer-than-ever silk threads. I should have starched them first but didn’t because I didn’t realize it would be necessary. That would have made the threads stronger. There are 125 threads per inch and I made more threading errors than I’ve ever made in my life. I have spent hours correcting these almost invisible threads and have lost a few and a few have broken –there are 16 threads to date that are hanging off the back of my loom and I expect I’ll have more as I weave along. Here is a close up of the weaving and one broken thread pinned in. (I’ve been mending the threads with sewing thread so I can see them.)
I used this stand which I’d used when I was weaving velvet to rig up a way to keep all the threads from tangling. Knowing that the only thread that can’t tangle is one under tension this is what I did.
I took the threads as they came from the warp beam and made a cross to keep them in order.
While in Kyushu Island south of the main island of Japan near the town of Karume is a distinguished master craftsman kasuri dyer. Kasuri is a form of ikat and can be warp-wise or weft-wise. The threads are dyed in a pattern then put on the loom and woven. Here is a photo of Shoji Yamamura tying threads to make a pattern. Then the threads are dyed with indigo for the traditional blue and white kasuri fabrics we know. We bought one of his gorgeous pieces–a length of cloth for a kimono with the idea of splitting up the piece when we got home.
On a Saturday afternoon the three of us met to divide the fabric–over 15 yards.
Here one third has been cut off and we are about to cut off the second piece.
This is the end piece– it’s the signature of the weaver and is woven at the beginning of the length of cloth. Note that the unwoven area shows the ikat pattern that was tied in the threads. Also notable is the dyeing of the warp stripes–a specialty of this artist.
My show ends next week–I will be sad to see it come down–LAST DAY is Friday, December 4 at 3:30 pm.
It’s a show I am very proud of–40 pieces and they are very creative (if I do say so myself.)
Here are times when the gallery at the library is open to see the show. Closed Friday after Thanksgiving.
- Saturday November 28: 10–5:00
- Sunday, November 29: noon–5:00
- Monday, November 30: 10–6:00
- Tuesday, December 1: 10-noon; 1-3:00–5-7:30
- Wednesday, December 2: 10-4:00 and 5:00-7:30
- Thursday, December 3: 10-noon; 2-4:00; 7:30-9:00
- Friday, December 4 10-3:30–(Last Day!)
People who purchased items can pick them up on Saturday morning when we take the show down at 11:00 am or get them from me later.
I’m thinking of making a book with small pages of my own woven cloth dyed in indigo with clamp resist. The cloth is sheer silk I wove in a crepe weave. It is flat when it is woven and doesn’t crinkle up until it gets wet. Sometimes I wet the cloth before dying and sometimes I let it crinkle when it got wet in the dye vat. This is great fun. The pieces are mounted on small pieces of cloth about 4 1/2″ square. I love these little miniature patches and can’t wait to begin stitching them down.