Update: The masks are coming along. There is a pocket for a filter and a wire is stitched in so it fits over the nose and stays under eyeglasses.
ALERT!! MOTH HOLE TIP: Try using a Fuzz Buster or a soft brush to pick up stray fibers directly from your sweater—it doesn’t take much to patch a tiny moth hole and the color match is perfect.
From Diana Rollo
“The viewer must know that the last weft is secure.”…
Lillian Elliott
Sometimes I like how the fringe emerges from the structure of the woven cloth. Sometimes the warp yarn is so beautiful that I don’t want to twist it and hide its beauty or texture. This was the case with this silk satin piece I wove.
About every inch or so (or what seems needed) I work a warp thread back into the cloth. In this case the warp is so dense, the missing thread didn’t leave a space in the fringe. When it does show I practice a bit to decide what the intervals should be between the missing threads.
I didn’t want a hem at the cut end so I removed a couple of wefts and then used the same treatment. Since the warp threads were so short, I used a hook like a knitting machine needle. This one came from the notions department. (I bet Amazon has such thing, too). I grasped the thread with the hook open.
Then I wove the closed hook into a few wefts of the cloth and grasped the thread and the hook closed as I pulled it through.
How it looks on the right side.
Here is the finished piece—it’s not long 27inches. I’m thinking of mounting something on it, using it as a background.
Here are the tools I had on hand. The needle pillow I wove and its supply of tapestry needles was a big help. Sometimes I combed the fringes with the bigger ones.
I dyed the silk warp and weft yarns and cut up wool cloth into tiny pieces for the inside. Animal fiber inside won’t rust pins and needles I learned long ago in 4H. The hook with the jaw open is nearby. The seam ripper was used in another project.