Entering Three  Collages in a Show: I hope they are accepted

This is a velvet collage made of 17 separate pieces. In a velvet workshop with Barbara Setsu Pickett we made a warp about 5 inches wide: 4 inches of velvet plus small borders. Everyone took home their samples, but I took home the loom and unused warp threads. That meant a 5” black cotton warp with a 4” second “velvet” warp of hundreds of sewing threads.

We talk of velvet being a pile fabric, meaning there are threads projecting from the ground or foundation fabric. To learn more, see my previous post. HERE

I spent a happy time weaving many variations as I could think of which you can see in the whole piece (which I mounted on black felt). The velvet loops can be cut or uncut. So I did both to make the little compositions. Voided velvet is another term which means that there are areas where there is no pile.

I kept making small compositions as I went along and then cut them apart and rearranged them for the final piece. I even used the scraps from the headers!

I’ve always loved this piece so I hope the judge likes it too. The topic is collage so it isn’t what I’d call a “regular” collage.

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I made a series of scrolls  and posts during the pandemic. HERE
This is one of them. I did the shibori and decided to mount it on a fabric from Japan. I think it should pass muster as a collage—we’ll see.

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My third entry is a bookmark I mounted on a page from an old Japanese book. Read more about my bookmarks HERE

The reason I mounted the bookmark on the page is that I wanted to show that you could see through my “cloth”!

This warp was one I used to make my ruffles. Go to the Peggy Osterkamp Gallery tab on the home page on my website for photos of the ruffles and other work. HERE

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