Tal Saarony’s posts have led me down a wonderful “rabbit hole” for information about fine threads. I’m still gathering information from very experienced weavers, so I’ll start with how I’ve dealt with fine silk threads.
You can see some of my sheer pieces by checking out my Gallery and the photos for on the headings for the various tabs on my blog.
Check out my post from April 9, 2021 “Unwinding Skeins of Very Fine Threads” HERE
When I was planning my “ruffle warp” all I knew was that I wanted the cloth to be sheer. That meant neither the warps nor the wefts could be close together. Here’s what I remember how I determined the sett (epi). When Master Weaver, Lillian Whipple asked a reed maker for a fine reed he said, “I can make one as fine as 75 dents per inch, but you won’t like it. It will be too fragile.” He suggested putting a threading unit in a dent instead. Going on that advice, my first silk threads were threaded at 96 epi with 8 threads per dent in a 12 dent reed. Since I wanted sheer and an open weave, the reed marks weren’t a problem for me. Another thread was finer yet so I sett it at 120 epi with 8 threads per dent in a 15 dent reed. Both Lillian and I used a warping drum when beaming. I think I’ll try a trapeze the next time because it won’t take so much space in my studio. Lillian’s drum is no longer made by AVL and I had mine built. Directions for it are in my book, Warping Your Loom & Tying On New Warps (newly available in print).
To make it easier to beat, I decided to weave double cloth thinking the two layer’s worth of threads would give more friction in the reed. That meant ½ the epi was in each layer. I don’t know if it helped, but it turned out that the tube made the ruffles. That was a lucky surprise.
Here is an idea I had “post ruffles”.
Another idea I had. These were in my blog post dated March 8, 2013. You can search on the home page for “ruffles” for that and other ruffle posts.