I always look forward to treasuring this week between the holidays. I think I’ll do lots of projects and see a friend or two. In light of that, I’ll show work that I just put up in a little show here where I live. The pieces are more scrolls. This time the theme is about putting together a background and art that go together. My worktable is piled still with textiles waiting to find mates; or mates waiting to be attached and hung. I’ve begun a new project already.
15” x 40”
Background: Mottled blue commercial cotton I dyed with indigo.
Center: Sheer commercial cotton dyed with black walnuts. The “stars” came as accidents. Scattered French knots anchor the fabric in place so it can flow in the breeze.
Oshima Ikat Design
20” x 37”
This is the first piece as the viewer begins the walk along the wall of a hallway. Background: Commercial open weave linen from Tokyo.
Center: Silk fragment from Amami Oshima Island, Japan. This is the twice woven ikat we went to see. The ikat resist threads (warps and wefts) are woven on a loom with the threads in bundles ‘tied’ by the binding of warp threads which make a mat—one for each thread in a design. Then that is unwoven, and the threads put into a loom and the silk fabric is woven. It’s amazing—all of the processes as well as the end product.
13” x 50”
Background: Part of a silk obi (sash) from Japan.
Center: Silk, 12-shaft satin that I wove just before the pandemic on my dobby loom. Just to see what 11 up and 1 down in a satin weave would look like with a rather fat silk warp with some irregularities.
A closer view of the satin piece.
3 thoughts on “The Special Time Between Christmas and New Year’s: Part One”
Thank you for sharing your work and all the weaving tips you’ve given. You’ve provided such a wealth of information over time! I just wanted to let you know how much I enjoy reading your blogs. Happy New Year!
Thank you VERY much! Peggy
I love the Oshima Ikat design. It’s gorgeous!