When there are 21 samples for each dye bath, it takes a lot of organization to figure out what is needed and to make small bundles of the 21 different silk fabrics. Then sort which pots to put them in. Afterwards, I found it important to organize the swatches so I would know what I got. The next step is to choose which ones I want to repeat for large pieces and for small ones. I love the colors and seeing them bundled up. They are much nicer to look at than the swatches.
I like these large samples and am thinking they might become a scroll. I safety-pinned them to a piece I wove not too long ago. These are the same tannins as in the previous post but on silks, rather than linen. From top to bottom: Myrobalan, Brugueira, and Quebracho. All were in an iron bath after dyeing. The first one took all the iron out of my iron bath but I didn’t realize it so the other two didn’t get enough to show much but I liked them the way they were so didn’t redo them in another stranger iron bath.
A closer look at the silks dyed with myrobalan with an iron bath after wards. The swatches show out of the original bath and then afterbaths of iron and copper and a folder dyed with onion skins after the tannin and then with iron and copper after baths. What a job to organize all of this. Each line is one dye bath. Some have fewer because some swatches got loose in the dye pots.
Brugueira is the tannin for this selection. Same processes afterwards as above.
Quebracho is the tannin. Same processes.
Here’s what I was working with. 21 different silk fabrics.