Someone commented about my previous post on making a sampler: “Sample or Sampler”. I think most of us know about samplers but the difference between that and sample needs some thinking about. What do I mean by “sample”? I mean trying out your ideas on the ACTUAL WARP before weaving a project. That means making your warp long enough to “sample” as well as weave your project(s). Here are some of my examples I wove long ago.
“African Thoughts” was my sampler when I was a student for the class in Supplementary Warp. I was inspired by a picture of a textile with lots of triangles in a book on African textiles. I made my triangles first then tried many other tie-ups. I think that was my first experience of realizing how different designs could be made with one threading by changes in the tie-up. I ended the sampler similar to the beginning to turn the sampler into a wall hanging.
This box was my project after the African Thoughts sampler in the supplementary warp class. It is linen, double weave, with the supplementary warp in between the layers. It was all loom controlled. Putting the box together after it was woven took hours. But it gave me a chance to get to handle and get to know the textile.
Here is a sample cut from a sampler in fine silk. This was my first attempt at fine threads. A friend saw it on the loom and offered me the name of a good therapist! I had trouble with the selvedges. The reason is a lesson I really learned. The end delivery shuttle was too long for the narrow warp.
I made several pieces on the fine silk warp. And dealt with the bad selvedges by folding the edges around foam core board. I call this “Cloud Tiles”. I was inspired by an exhibition of tiles I saw in a museum.
Now, this is a real sampler! I wove off a warp I’d made for a class and tried warp face and weft twills on the 4-shafts. I found out later this is called damask. I got the inspiration, then, to make a third level: warp face twill, balanced twill, and weft faced twill. I made little compositions within the sampler thinking about pages in a book. It is still in tack. I call it my “Clown Sampler” and it has never left my studio.
This color blanket taught me how important to make a SAMPLE on the actual warp of the project. My sampler was narrow (5” wide or so). I used the same sett (epi) for the big warp that was about 36” wide. The wefts didn’t pack down enough for a balanced weave that is required for a color blanket. In other words, the warp dominated over the weft in all the colors. Now I know that for a wider warp I need to open up the sett to accommodate the more friction there is in the reed.
“Red Squares” is another supplementary warp piece. I sampled on the warp first. Then wove this piece. I still like supplementary warp a lot. You don’t have wefts mucking up your ideas.
This little piece I cut from a Lampas sampler. I am remembering that the black yarn was the same boucle I wove in the sampler just before the lockdown. That was my favorite part of the sampler and I plan to use it in the final project with what is left on the loom. Next year??