A Visit to the Nagata Dye Factory. The first thing that caught my eye was this old furushiki wrapped around a box in Mr. Nagata’s dye studio. A furoshiki is a square fabric used to wrap things—before shopping bags. I have many of various sizes but I’ve never seen one with the design showing like this one. I asked him to unwrap it so I could see how the square turned into a pattern like this. This wasn’t going to happen but Mr Nagata showed us others opened out. His and old ones. [click photos to enlarge]
Here is a big furoshiki opened out. It is a meter square. The big center area is a family crest and the corners have smaller images of good luck symbols. I wanted one of Mr Nagata’s but figured I could never afford one so left his studio empty handed. But at an exhibition that day I saw this one and asked to buy it. The artist was called over and said it was made by his father and was dirty and he would call his father to see if I could buy it. Luckily he said yes and for a very nice discount. Later I found out that “the father” was actually Mr. Nagata himself. I am thrilled. We were told that the design on top here should be on top when wrapped. I hope I can remember how to wrap it.
Here is the way a large furoshiki would be used as per the design layout.
Seen from the front are the smaller images. The image on the back would be the family crest. The model is Mr. Nagata. The furoshiki is sort of old I think. It just fit perfectly.
Mr and Mrs Nagata and Bret. Bret’s neck scarf is barely visible but proudly worn.
I am always interested in the dyers’ indigo vats. These are very old and can’t be replaced.
Here is Mr. Nagata’s shrine over his indigo vats. I’m always interested in seeing them, too. Every indigo dyer seems to have one.
This stick is used to stir the vats to keep them happy and working. He is showing how deep the vats are.
In this video Mr. Nagata stirred one of the vats to show us how it’s done and the color brown that comes when stirred. The vat can’t be used then for a least a day until it settles. He can tell by looking to know if a vat will work or need more time to rest before being useable. I was glad to see his technique is the same as what I learned from Yoshiko Wada.