Welcome to Peggy’s Website
Share my passion > Explore, Browse and Learn
Welcome to Peggy’s Website
Welcome to Peggy’s Website
Share my passion > Explore, Browse and Learn
Day 23. Some thoughts about traveling in Japan. Go while you are physically fit. Don’t wait until you can’t get around. All the bathtubs in our hotels were very deep– at least up to my knees so lifting your legs into the tub just for a shower could be challenging. Lots and lots of steps on the subways too.
Take a tour this fall with my tour leader, Yoshiko Wada. It will be wonderful. She knows so many places and interesting artisans. There is a trip coming up in the fall. Go to: slowfiberstudios.com/tours/Japan-2017.
Day 22. A cosmopolitan day in Tokyo. In the morning we went to the Shibuya district to look for interesting contemporary shops and up-to-date people watching. I was shocked at the crowds we saw when we got out of the subway. All these people were waiting for the light to change so they could cross the street. We ducked into the Seibu department store to get away from the hordes of people and to cool off. There were nice contemporary and designer clothes to look at. I got a nice linen blouse.
We left these Shibuya crowds and headed for our favorite tea shop for lunch. It was too crowded so we headed for our favorite lunch place and the wait was worse so we went across the alley to another place and had a great lunch in the Omonte-Santo district.
Then we spent the afternoon in the Nihombashi district in the Takashimaya department store. On an upper floor were maybe a dozen craftsmen (and their wives) demonstrating their craft and selling their goods. This weaver was weaving weft ikat fabric and had lovely things. I treated myself to a tote bag with a crane on it done in weft ikat. In another area was a weaver of fabric for contemporary clothing. I bought a simple jacket for myself. My friend at home asked me to buy her something that I would like. We were lucky there was another jacket just like it so I got one for my friend who lives across the hall from me.
Then home to our hotel in the Shiba district for a “last night” sake. It was sad to think of leaving a country we love so much. Then to our room to eat a lovely take-out dinner complete with a delicious bing cherry tart. Then the job of packing began. We leave Tuesday morning and will get into San Francisco Tuesday afternoon.
This is gold leaf on paper cut into strips for wefts for obi weaving. For the paper warp loom in my previous post I think the paper was cut in a similar way and put on the loom before the strips were detached from the paper at the margins. The gold leaf can be patterned or plain.
Here is an example of Boro–patching with scraps of fabric done in the cold-winter area of Hokkaido. There were quotes I liked from the labels. “The beauty of practically”. “Lovingly mended with diverse cotton fabrics”. “Only property owners had a control over even small fabric scraps. Possession of those scraps proved one’s social status and wealth”. There were cloths used when giving birth that had been around for generations. They were boiled before the birth to kill any lice!
Next we went to the big Mitsukoshi department store and spent the entire afternoon there. First we encountered a flower arranging exhibit as we were heading to the kimono department. There were many arrangements to be seen but tickets were required to see the masters’ arrangements.
Day 19. TOKYO!!
On our first day we went to one of our most favorite areas. There are several Issey Miyaki shops each featuring a different theme. Pleats Please is one another features bags another the folded fashions plus a mens and a women’s shop. A walk up and down the street is always on our list along with great places for lunch and “tea” which means dessert.
Day 18. One the same day that we went to Arimatsu we came back to our hotel in Nagoya and napped for an hour then took s train to the town of Gifu to see the amazing cormorant fishing. I saw it 50 years ago but a distance away from a bridge. I’ve never forgotten the experience.
These photos I took from post cards and pamphlets. I don’t know if I got any good pictures or not. I tried videos, too but I’ll have to see when I get home if anything turned out. It was exciting to see all of this up close from our boat.
There were quite a few of these boats that went out to watch the fishermen with the cormorants. It was really lovely and quiet after it got dark. You could hear the whistle or clicking of the fishermen and that’s all.
The inside of our boat. We didn’t have very many in our boat so it was easy to move around in our places to take pictures. We sat on tatami mats which made it special. Plastic bags were provided for our shoes.
Day 17. We went to Nagoya for two nights so that we could take a train to the town if Arimatsu which is known for its many shibori (tie dye) artisans. Almost every place was closed on Wednesday the day we went but we did see a little evidence that shibori was important. This sign was in many places that were closed. A few (enough) shops were open and were found lots of shibori things.
This ethnographic museum was spectacular. The building was too big to get in one photo. The previous photo was of the special exhibits building. The exhibit was about beads of the world. It was huge an fascinating and beautifully presented.
Rolls and rolls of fabrics. Most booths had a specialty. I bought mostly small one-meter fragments of old silk fabrics taken from old kimonos. Everything fit in my suitcase up to the brim. What I will do after the flea market in Tokyo I don’t know.
Day 14. Leaving Okinawa for Kyoto. The architecture in all of Okinawa was so ugly to my eye. This was outside the front door of our hotel. We realized that everything had been bombed during the war and this is what has been built since. The people and the textiles more than made up however.
Beautiful beautiful Kyoto. We walked along some residential streets on our first day in Kyoto and I loved seeing the beauty here. This is what I seek out in Japan. This is an old style building with the second floor being very low. It would have been where the servants lived. The slits for windows upstairs were for collecting crickets we were told. They they would have been kept in small cages. I remember seeing the cages at Cost Plus when we came to San Francisco in the 60s.
Day 13 – Ikat weft thread in a shuttle in Ishigaki. The weft thread has the dark and white areas that an ikat thread would have after dyeing and removing the ties. The special thing here is how the weft is in the shuttle. The weft “bundle” is made similar to winding a kite stick. The tool it is wound on looks a bit like a mechanical pencil or pen but there is a split at one end so you can anchor and start to wind the beginning of the weft thread around that end. (The weft thread will come out of the center of the bundle when inside the shuttle). The thread is just wound around the pencil-like tool a few times then it is wound like a kite stick around the tool. In my books you can see that I wind my warps on a stick that I call a kite stick in the way a kite stick is wound instead of chaining the warp. A bamboo stick holds the weft bundle in place and the thread comes off like any bobbin.
She was winding the weft thread on the tool too fast for me to get a good photo of the end where the weft was anchored and started. Here the weaver is winding the thread around a few times before beginning the “kite stick” technique. (Winding a kite stick is very much like winding on a nitty noddy.)
To keep the pattern exact the cloth is stretched to the width in the reed with the bamboo stick here. Also notice that the edge of the cloth isn’t perfectly straight. That’s because when the ikat weft thread is being woven it has to be slid either to the left or right so it lines up perfectly. The weft loops at the edge shows where the thread had been moved so it will line up. I bought a hanging with just a small amount of weft ikat and I love seeing the straight edges except where there are small weft loops sticking out where the weft ikat pattern is woven.
Day 12 Ishigaki Island, Okinawa. We took a taxi to the Minsa Textile Institute & Minsa Craft Center and were met with lovely yarns drying outside the entrance. It is a large shop with a little museum upstairs. We spent quite a long time there. The weavers were winding huge warps onto beams to be put into looms when an order was placed for that color and design. There were tens of warp beams on the shelves to be woven as needed. We weren’t allowed to show photos of the process or the things in the shop. The shop was very attractive with contemporary colors and designs using traditional techniques woven on this island. Too bad I can’t show photos. Minsa technique means narrow weaving for obi for men and women. This shop used the warp faced technique with wider warps for lovely products to sell. Some examples were placemats, pillow covers, small coasters and lots of bags of all sizes. Everything was beautifully made.
Skeins drying after being dyed. The ones with the white plastic sticking out were ones that had been tied before dying. The area with the ties resisted the dye and will remain undyed. The cloth woven with these specially dyed threads in patterns is what is called “ikat”. Ikat is pronounced “e-cot”. See the next photo for a closer look.
In the afternoon we visited a small weaving studio where the patterned “ikat” cloth was woven on looms with the pattern warp on a reel device that fit onto the back of the loom. This I had never seen before. Instead of tying the pattern threads they were painted on the warp threads while the warp was on tension on this reel device. This meant that the patterns lined up perfectly and didn’t need adjusting like we had been seeing before on the other islands. The next photos will show closer looks.
This is what the woven cloth looks like. Besides the warp threads being patterned the weft threads are patterned as well by tying the ikat threads and then dyeing them. We call it double ikat when both warps and wefts are dyed in these ways. The warps are the vertical threads and the wefts are the horizontal threads.
Day 11. Ishigaki Island, Okinawa. The tradition in this area is of weaving narrow cloth called Mensa. The warps are very dense so the cloth is totally warp face. There is a stripe with two warp ikat patterns. The traditional textile has a”four-square” and a “5-square” pattern that stand for eternal love. This photo shows the 4-square design. The 5-square design is in the cloth,too, but not shown in this part of the cloth. This is s woman’s obi. A sash for the men is about 4″ wide; the women’s is bout 6″ wide. I love this piece because all the rest of the patterning comes from the arrangements of dark and light colors in the warp. They are woven on two shaft looms in plain weave; over one and under one.
At the end of a hot and humid day we tried the traditional Okinawan sweet treat: zenzai. It is made of red kidney beans sweetened with raw sugar and covered with shaved ice. We almost ordered one for each of the four of us but thankfully we were advised that one would be enough for all–and it definitely was. It was refreshing but I like soft ice cream better and that is found all over.
This is what I hoped to see and it was hanging to dry after being dyed with indigo. This woven thick piece is how the tiny white patterns are made. In the photo all the places where there is weaving resisted the indigo blue dye and remain white when this thick mat is unwoven. The unwoven threads with the tiny white areas are then put on the loom and the real cloth is woven.
marmarweaves commented: This is pretty unbelievable, if you had not seen it and shown it, it would be more than one could imagine. Astonishing. Thanks Peggy for taking us along.
Here is a close up of the edge of the piece woven and ready to dye. Bundles of threads are woven. Where the threads float is where the dye will sink in. Where they are woven will be too tight and won’t allow the dye to penetrate causing the small white patterns.
Day 9. Miyako Island. We had time to drive around before the shops opened today, Mother’s Day. We saw many butterflies on a little sandy walk to the beach. This island is proud of its beaches. A butterfly museum we were seeking closed but it was thrilling to see so many out in nature–and photographable with my stop motion setting on my new camera.
Cathy settling the bill with the shop owner at a really nice shop with lots of Miyako Island textiles. It was great that she sold pieces cut from old kimonos or lengths of fabrics. Tomorrow we will visit a workshop and we hope to see how they ikat such tiny patterns. I’m betting I can guess how it’s done in principle but we’ll have to see.
Day 8. Chibana Village Okinawa. At the Chibana Hanaori Cooperative they also wove cloth with extra warp threads to create patterns with threads floating on the surface. This complicated but beautiful cloth also had some ikat designs where the tied and dyed threads are woven in the cloth along with areas where the threads ride on the surface of the cloth.
In this area the shafts on the loom are lifted to create the patterns on the top of the cloth with this hook. In the previous studio they pulled down the shafts with their toe or foot to make the patterns.
For this pattern extra threads were laid in as the weaving progressed. We call this inlay technique. The left side if the photo is the right dide of the cloth and the right side shows the back side. See the next photo.
The warp beams are square but they are round with the warp wound on them. There is a square “sleeve” made of wood that goes on the beam before the warp is wound on. I don’t know why. The photo shows that one warp is the foundation thread and the other for the pattern.
Day 7 Public Market in Naha Okinawa. This seafood market is famous in Naha. You make tour selections then go upstairs where the food has been prepared and you sit down and eat it. This fish caught our eye among many odd looking products of the sea.
Day 5 Naha Okinawa. This is glorious cloth woven by Michiko Uehara an artist/weaver who has exhibited in New York as well as in Japan. She reels the silk threads off the cocoons herself and weaves the most sheer cloth I’ve ever seen. This piece is double woven as a tube.
One piece was woven both warp and weft with threads that came from single cocoons. Always several if not 10 or so are reeled off at once to form fine threads. I held the cloth and was amazed that is was light as a feather. What you see here are the warp threads. If you look closely you can glimpse the cloth.
One of Michiko’s daughters is a potter and made these tiny containers for the tea in the tea ceremony. These are what I’ve been so interested in. Michiko herself wove her fine silks for the bags for the containers made by a contemporary potter in a joint exhibition.
Day 4. We flew to Kume Island for the day and visited a spectacular place where they make traditional cloth from raising the silk worms, reeling the silk off the cocoons, tying and dyeing the warp and weft threads and weaving. It is the Kumejoma Tsumugi Museum.
Here are baby silk worms being taken care of I can’t remember why the women were taking off the worms and putting them in the boxes. I think they were in the process of feeding them. They eat a lot of fresh mulberry leaves and will grow to the size of a thumb.
Here the tied and dyed warp threads are being adjusted so the pattern will be exactly lined up for each and every thread. The little bobbin is putting a bit of extra tension on a warp to keep the thread lined up.
Day 3. These were in a lovely gallery in the city of Naha on the island of Okinawa where we are staying. I meant to focus on the little pots in front because they are the little tea containers for the tea ceremony that have interested me. In the back is the container for the water I think. You can see that they go together. I hope to find a little container that I can afford before going home.
We were led to a tiny antique shop where we could buy scraps of cloth made from banana fiber. I put my business card in the photo for scale. The cloth is made for kimonos and hugely expensive so we were thrilled to be able to by these little fragments.
This is a class room where people can pay to weave a piece of cloth to take home. It’s a great way to introduce crafts to the public. There were also similar classrooms to make items in glass, pottery, painting on fabric. There was a fantastic DVD and gallery of kimonos. This was at the Naha Traditional Craft Center. There is a good shop too.
This trip with my friend Cathy Cerny will cover a lot of new territory for us. We are going to Okinawa for the first time–to see textiles as usual. We will take 4 flights and a ferry and visit several islands. After Okinawa we fly to Kyoto where we are hiring guides to take us to places new to us. We planned the time to be there for a large flea market. We’ll end up for a few days in Tokyo for more of our favorite friends and places. Today was our third day in Okinawa and we were on our own. We’ll have guides for the next two days and then two friends from Tokyo are joining us. I really love the people, aesthetics, and textiles in Japan. It’s very safe, you don’t have to count your change, there’s no tipping and you can always sit down on the toilet seats!
A big tourist street.
Lots of strange soft ice cream flavors on the big tourist street.
curiousweaver commented – “I think the purple ones are the special sweet potato grown there – longevity.”
Blue Seal is a brand of ice cream named after a dairy after the war. See photo with its history. Now crepes are added.
Another crepe at Blue Seal ice cream shop on the big tourist street: Kokusai-dori.
Interesting toilet paper(?) That’s all we could figure it out to be. Every restroom we’ve ever seen in Japan is clean with elaborate toilets. They often have heated seats.
Day one. The scarves the flight attendants wore intrigued me so I asked one to show me how to tie it. This was on the flight to Okinawa.
Step three is to fold in half.
Step four. I can’t remember if she kept folding in half until this narrow or rolled it.
Next is putting it on.
Tie a squat knot now.
After the square knot fluff out the ends.
She was quickly fluffing the ends so I couldn’t focus. The final step is the finished photo with the pretty part off on the shoulder.
I took a workshop with Yoshiko Wada’s Slow Fiber Studios in Berkeley, California recently. We learned to fold cloth in origami-like ways and then we did arashi shibori (pole wrapping shibori) with the cloth and got these lovely simple patterns. The teacher was Chris Palmer and his book is called Shadow folds: Surprisingly Easy-to-Make Geometric Designs in Fabric by Jeffrey Rutzky and Chris K. Palmer.
I folded and dyed 11” silk squares I got already hemmed from Dharma Trading Company. This was my first attempt at arashi shibori and I used my own indigo vat. I am proud of the results for such a novice. They can be used singly or as a group as pieces for the wall or gifts.
I took small pieces I’ve dyed and made little collage compositions and mounted them on squares of dark indigo linen I got in India a few years ago. We went to see the Matisse and Diebenkorn show yesterday and I decided to call these pieces “My Little Diebenkorns”! They can be used singly or in a group, too. I have put similar pieces in CD cases to present them! They also could be little coasters or gifts.
I had really nice responses to my previous post which showed details of my new collage wall hangings with my dyed fabrics. Now you can see what they are like in reality. There are seven–all 11″ wide and 36″ long. Now if you want to see details again, you can go back to the first post. Click on these thumbnails to see them full size then click again to see the detail.