More Weaving with Horse Hair

Black Horsehair with heading sticks

Black Horsehair with heading sticks

Here are more photos of the black horse hair piece. One shows it just off the loom, before cutting off the heading sticks. Note that the heading was WOVEN when I cut off the previous piece. The sticks were attached to the apron rod to put the warp back on tension so I could weave this piece. Look up the tip on Two-stick Heading. It is also described in my first books and my book, Weaving for Beginners.

Black Horsehair detail

Black Horsehair detail

Black Horsehair Back Side

Black Horsehair Back Side

Here is the back; also interesting.

More on Weaving with Rose Hips

Rose Hips

Rose Hips

I planned my weaving on a woven piece that was so uninteresting I relegated it to a scrap. This gave me the dimensions for the new piece. And it allowed me to play with various stems of  rose hips to get a composition I liked and that would allow me to use the supplementary purple warp to attach the stems. As I wove the new piece, I unpinned the stems as needed and wove them in. It also helped that I’d taken a photo of the composition so I could replicate the placement in the new weaving as I went along.

Weaving with Rose Hips, 2

Weaving with Rose Hips, 2

This photo is of the woven piece. The color is more like the top picture.

Weaving with Rose Canes

Rose Thorns, Close

Rose Thorns, Close

I want to weave in rose thorns in the sewing thread warp. I got the idea in the night Sunday. On Monday I asked when the men were coming to prune the rose bushes in the gardens where I live. They came the next day. I went down and gathered the rose canes before breakfast.

Rose Thorns, Closer

Rose Thorns, Closer

I’m thinking of weaving them in on the top similar to the horse hair pieces I showed in a post recently. In my area, January is when the big pruning takes place. I thought I’d mention it in case anyone else wants to get a supply before it’s too late.

Weaving with Marl Yarns

Weaving with Marl Yarns A

Weaving with Marl Yarns A

I’ve played with weaving with marl yarns over the years. A marl yarn is made by  twisting a dark and a light thread together to use as a single weft. Which way you twist makes a difference in the look. I made two shuttles–each one twisted in the opposite direction (S&Z). I alternated the two shuttles in the sections here (A).

Weaving with marl Yarns B

Weaving with marl Yarns B

This is meant to be one of my “pages” in my  Pages Series. Interesting how the diagonals are stronger when looking at the side of the cloth–and how it looked on the loom (B).

Weaving with Marl Yarns C

Weaving with Marl Yarns C

You can see how I had to practice to accomplish what I wanted (C).

Weaving with Marl Yarns D

Weaving with Marl Yarns D

I might not cut the two apart–maybe some won’t turn into pages at all (D). Putting a group of them together really looked interesting. I might mount them that way. Who knows? I’ve got lots more ideas. I just need the time.

My New Weaving

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First Woven Page

First Woven Page (click to enlarge)

I’ve been weaving the sewing thread warp. My idea is to weave small pieces that remind me of pages in books. I won’t make books, but show just these “pages”. It’s such fun to see what I can do with only 4 shafts. The warp is 10 shades/colors of sewing thread. I think the sett is 60 epi. I can weave it as a single layer at 60 epi or as a tube at 30 epi. This really gives me flexibility.The supplementary warp is threaded between the heddles so it doesn’t take any shafts. I just put the shuttle below it in the shed when I want it to show on the top. I can have it on the back or in the middle, too.

Four Woven Pages

Four Woven Pages (click to enlarge)

What fun! Here is the first one and a group of four. I’m tempted to show the spools of threads again to show the colors I’m working with.

Sewing Thread Spools for Weaving

Sewing Thread Spools for Weaving

Aside

Welcome to Peggy’s Website
If you were looking for “www.weaving.cc”
you have landed here instead at Peggy’s new home!

Weaving with Varying Warp Tension for Wavy Wefts

Weaving Cloth with Wavy Wefts, close up

Weaving Cloth with Wavy wefts, warp tensions, #2

The photos show tight and loose tension on the warps. this is what makes the wavy wefts. I show the mechanism we put on my 4-shaft loom in a previous post. Search for wavy wefts to see the loom and other posts on wavy wefts. It’s been fun experimenting!

My Woven Cloth is Sheer

Woven Cloth for Ruffle

My new woven cloth is as sheer as I’d hoped. You can see the treadles through the cloth.With each of my recent warps, there is something different. This is my second sewing thread warp and I increased the sett a bit so the wefts won’t pack down when I beat on an open shed. (See “Weaving for Beginners” and Book #3, “Weaving & Drafting Your Own Cloth”.)

I Have Many Projects Going On

I’ve mentioned my fiber optics weaving project and the work on the blog and web site. These are just two things on my mind besides trying to weave the sewing thread warp and the wavy wefts warp. Another major item is making ebooks. Yet another is making an art book or a portfolio in book form. The keynote speech and seminars in Collapse Weaving and Supplementary Warp for our conference (CNCH) in May are also on my mind. I feel pregnant with at least 9 babies!

Weaving with an Extra Warp

Weaving with more than one warp is something I really like to do. We call it a “supplementary warp” when in theory, it could be removed and an intact cloth would remain.

“Red Square” was woven on 10 shafts–2 for the foundation warp and 8 for the red warp.

The sewing thread warp I’m weaving on now has a supplementary warp, too. In this case these warps aren’t threaded in heddles, but between them. See more in previous posts.

I weight my supplementary warps with washers that are hanging from shower curtain hooks.

The knot to use (because it is easy to undo and redo as needed) is described in 3 of my books because I think it is so useful. “Weaving for Beginners”, Book #2: “Warping Your Loom & Tying On New Warps”, and Book #3: “Weaving and Drafting Your Own Cloth”. See the chapter, Two or More Warps in Book #2 for details.

Weaving Begun (photos)

Weighted Supplementary Warps

Here is the back of my loom–weights are holding the purple supplementary warp and also the selvedges. I’m sampling to see what the colors in the warp will be like and to see if I can get sheer again. The extra warp isn’t threaded in the heddles, but between every 8th warp thread. They are in the same position as floating selvedges–in the middle of the sheds. When I want the  supplementary threads on the top, I shoot the shuttle under them. When I don’t want them to show, I put the shuttle over them. I learned this technique as “split broche.”

Supplementary warps above heddle eyes

Weaving Has Begun! (but no photos)

I made this post yesterday–but suddenly the blog software isn’t allowing me to post any images. You” have to imagine. I hope when I get back at the end of the week it will be fixed.
Here is the back of my loom–weights are holding the purple supplementary warp and also the selvedges. I’m sampling to see what the colors in the warp will be like and to see if I can get sheer again. The extra warp isn’t threaded in the heddles, but between every 8th warp thread. They are in the same position as floating selvedges–in the middle of the sheds. When I want the  supplementary threads on the top, I shoot the shuttle under them. When I don’t want them to show, I put the shuttle over them. I learned this technique as “split broche.”

Weaving Advice

Things to know before you throw a shuttle:
Important Information About How to throw the shuttle

Weft Diagonal (click to enlarge)

Beginning weavers learn about the diagonal of the weft but they think they should have the weft loose at the selvedges. In my book, Weaving for Beginners, I tell how to snug up the weft for good selvedges and no draw-in problems.

Throw the shuttle into the correct open shed. Take out the shuttle so the weft is in the shed on a diagonal as shown in Figure 245. Holding onto the shuttle, snug up the weft to the outside warp thread—the side where the shuttle entered the shed—just so it touches and barely moves that outside thread. Then, swing the beater and gently place the weft next to the previously woven weft. You do not want to actually beat it as the name implies. You are simply placing the weft against the one woven before it. Now, while the beater is toward you after placing the weft, change the shed. Then, swing the beater back toward the heddles and begin the process again. The steps
are: throw the shuttle, beat in the weft, and change the shed. I like the rhythm of saying:     “Throw, beat, change the shed.” That’s 4 counts, with “the shed” as one
beat. (On the fourth beat you’re pushing the beater back toward the shafts.)

Weaving Class: Sheds Too Small

The other day a student complained that the boat shuttle I loaned her was too big for the sheds on her table loom. I suggested that she throw the shuttle closer to the heddles and advance the warp often. The reason is that the shed is bigger the closer it is to the heddles (shafts). It’s obvious that the shed is small when it is closer to the fell of the cloth (the place where the last weft is woven).

More About My New Warp

Two Kitesticks and Horse Hair (click to enlarge)

Close-up of Kitestick (click to enlarge)

I’m  using a supplementary warp (egg plant color) for the punch. The technique for the supplementary warp I’ll use is split broche. The threads will not be in the heddles as they are threaded amongst the warp threads which on are 4 shafts. More on this when I get started.  For now, you can see those threads on their own small kitestick.
I think I’ll put in some horse hair–I love the color of it.

 

My New Warp

Sewing Thread Warp (click to enlarge)

Here is my new warp–sewing thread–for some art pieces. More ruffles, probably. You can see the 10 spools that I used on my warping reel with a heck block. Otherwise, for 10 spools you would definitely need to use a paddle (which is a good idea). See my book, Winding a Warp & Using a Paddle). The warp is on its kitestick, ready to load the raddle.

Spools for Warp (click to enlarge)

I’m using sewing thread and hoping for sheer again. I increased the sett a bit from the yellow warp so I won’t have to beat so gently to get the wefts not to pack in too much.
I’m making separate selvedges out of white rayon and using a supplementary warp (egg plant color) for the punch. The technique for the supplementary warp I’ll use is split broche. The threads will not be in the heddles as they are threaded amongst the warp threads which on are 4 shafts. More on this when I get started.  For now, you can see those threads on their own small kitestick.
I think I’ll put in some horse hair–I love the color of it.