Weaving Keynote Speech

2012 CNCH  Weaving Convention

2012 CNCH Weaving Convention

I spent the month of March preparing my keynote speech for the northern California weaving conference, CNCH. It will be May 17-20 at the Oakland Convention Center. It was a lot of work but fun figuring out what I could say in 1/2 hour. Believe me, there was a lot I had to relegate to the cutting room floor. It was hard to give up so many ideas. Maybe we can make a video and put it on line!

April will be devoted to preparing for my two classes and a retrospective of my work. I’ve already made the list for the exhibit for the labels, but now I need to be sure every piece is prepared and ironed, etc. I’m honored to have this recognition.

The two classes are about collapse weaving and supplementary warp–two of my favorite things. (I’ve signed up for CNCH 2013 to teach them again–also about using the paddle.

Weaving with Sewing Thread

sewing threads 1

Weaving with Sewing Threads 1

I used a 4-shaft loom for this project. This piece began as an experiment at the beginning of the warp to see which combination of colors I liked best for the top layer of cloth. Many of the pieces on this warp were double weave — woven as tubes. I liked the idea because I could have the sett very open this way. (Some pieces were one layer – with double the number of ends per inch.) So, I had two layers, but making them into a tube meant only one shuttle was needed–a good thing.
After all the experiments, I choose the combination of having shafts 1 & 2 on top and 3 & 4 on the bottom. There are maybe 6 different combinations of shafts I tried. See my book Weaving for Beginners, for an introduction to the basics of double weave and how different shafts can be used for the layers. Often people learn that 1 & 3 are one layer and 2 & 4 are on the bottom. This is only one combination you can use.
The ruffles came when I pulled up the supplementary warps and sort -of rouched the layers. You can see that each section I wove was divided by a row or two with the supplementary warp woven in. See previous posts about this sewing thread warp to learn more about the supplementary warp I used.

More Sheer Weaving

 

See-through, One

See-through, One

In this piece I wanted to show that the cloth I was weaving was sheer. You can see the wavy supplementary warps that are on the back of the cloth. The cloth itself was woven as a tube with very fine wefts. The idea is that it’s one layer of cloth with the floating threads behind, but instead of weaving it as one layer, I wove it as a tube (two layers) the sett is very open and the layer is really 2 gauze-like layers–more transparent than a more solid single layer would have been. (The floating threads are in the middle, between the layers of the tube.)
The supplementary warps are woven into the cloth in the band in the middle. For the rest of the cloth, they were not woven in so when I cut it off the loom, they were free to wander except where attached in the middle area. The idea came from a previous piece where the supplementary warps floated behind. In this piece I planned where they were attached and free floating.

See-through  one, close-up

See-through one, close-up

More information on the supplementary warp techniques are in previous posts for this sewing thread warp. This is a subject I use a lot and will be teaching on line in the future. Let me know if you think you might like to sign up.

Getting the Pegs Needed on Warping Reels

Warping Reel Pegs, Vertical

Warping Reel Pegs, Vertical

While thinking about using the paddle with a warping reel, it occurred to me to show how you can get the pegs you need for the crosses on warping reels. In my books I recommend using 4 pegs for the crosses and usually reels only have 3. This is what I have used to get the needed 4 pegs.

Horizontal Warping Reel Pegs, Detail

Horizontal Warping Reel Pegs, Detail

Warping Reel Pegs, Horizontal

Warping Reel Pegs, Horizontal

These illustrations are from my Book #1, Winding a Warp & Using a Paddle, on pages 33 and 34.

Using a Paddle with a Warping Reel

I received a comment asking about how to use a paddle with a vertical warping reel. In my Book #1, Winding a Warp and Using a Paddle I do discuss this. Here is a clip from the paddle chapter.

paddle and reel

paddle and reel

WHERE TO PLACE THE PADDLE
You want the paddle to be easy to reach, so when you get to the lease pegs, you can easily make the lease and put it onto the pegs.
Other than being clamped to something
approximately at the center of the warping
board as in Figure 118, below, the paddle can be clamped to the bottom of the warping board itself if the height of the board is convenient for you.
Clamping a paddle at a height close to the
pegs on a reel is shown in Figure 119a.

paddle and chair

paddle and chair

Clamping it to the back of a chair works well, too. See Figure 119b.

Also, see below where to place the paddle at a warping board.

Paddle and warping board

Paddle and warping board

More Weaving with Horse Hair

Black Horsehair with heading sticks

Black Horsehair with heading sticks

Here are more photos of the black horse hair piece. One shows it just off the loom, before cutting off the heading sticks. Note that the heading was WOVEN when I cut off the previous piece. The sticks were attached to the apron rod to put the warp back on tension so I could weave this piece. Look up the tip on Two-stick Heading. It is also described in my first books and my book, Weaving for Beginners.

Black Horsehair detail

Black Horsehair detail

Black Horsehair Back Side

Black Horsehair Back Side

Here is the back; also interesting.

More on Weaving with Rose Hips

Rose Hips

Rose Hips

I planned my weaving on a woven piece that was so uninteresting I relegated it to a scrap. This gave me the dimensions for the new piece. And it allowed me to play with various stems of  rose hips to get a composition I liked and that would allow me to use the supplementary purple warp to attach the stems. As I wove the new piece, I unpinned the stems as needed and wove them in. It also helped that I’d taken a photo of the composition so I could replicate the placement in the new weaving as I went along.

Weaving with Rose Hips, 2

Weaving with Rose Hips, 2

This photo is of the woven piece. The color is more like the top picture.

Weaving with Rose Canes

Rose Thorns, Close

Rose Thorns, Close

I want to weave in rose thorns in the sewing thread warp. I got the idea in the night Sunday. On Monday I asked when the men were coming to prune the rose bushes in the gardens where I live. They came the next day. I went down and gathered the rose canes before breakfast.

Rose Thorns, Closer

Rose Thorns, Closer

I’m thinking of weaving them in on the top similar to the horse hair pieces I showed in a post recently. In my area, January is when the big pruning takes place. I thought I’d mention it in case anyone else wants to get a supply before it’s too late.

Weaving with Marl Yarns

Weaving with Marl Yarns A

Weaving with Marl Yarns A

I’ve played with weaving with marl yarns over the years. A marl yarn is made by  twisting a dark and a light thread together to use as a single weft. Which way you twist makes a difference in the look. I made two shuttles–each one twisted in the opposite direction (S&Z). I alternated the two shuttles in the sections here (A).

Weaving with marl Yarns B

Weaving with marl Yarns B

This is meant to be one of my “pages” in my  Pages Series. Interesting how the diagonals are stronger when looking at the side of the cloth–and how it looked on the loom (B).

Weaving with Marl Yarns C

Weaving with Marl Yarns C

You can see how I had to practice to accomplish what I wanted (C).

Weaving with Marl Yarns D

Weaving with Marl Yarns D

I might not cut the two apart–maybe some won’t turn into pages at all (D). Putting a group of them together really looked interesting. I might mount them that way. Who knows? I’ve got lots more ideas. I just need the time.

My New Weaving

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First Woven Page

First Woven Page (click to enlarge)

I’ve been weaving the sewing thread warp. My idea is to weave small pieces that remind me of pages in books. I won’t make books, but show just these “pages”. It’s such fun to see what I can do with only 4 shafts. The warp is 10 shades/colors of sewing thread. I think the sett is 60 epi. I can weave it as a single layer at 60 epi or as a tube at 30 epi. This really gives me flexibility.The supplementary warp is threaded between the heddles so it doesn’t take any shafts. I just put the shuttle below it in the shed when I want it to show on the top. I can have it on the back or in the middle, too.

Four Woven Pages

Four Woven Pages (click to enlarge)

What fun! Here is the first one and a group of four. I’m tempted to show the spools of threads again to show the colors I’m working with.

Sewing Thread Spools for Weaving

Sewing Thread Spools for Weaving

Aside

Welcome to Peggy’s Website
If you were looking for “www.weaving.cc”
you have landed here instead at Peggy’s new home!

Weaving with Varying Warp Tension for Wavy Wefts

Weaving Cloth with Wavy Wefts, close up

Weaving Cloth with Wavy wefts, warp tensions, #2

The photos show tight and loose tension on the warps. this is what makes the wavy wefts. I show the mechanism we put on my 4-shaft loom in a previous post. Search for wavy wefts to see the loom and other posts on wavy wefts. It’s been fun experimenting!

My Woven Cloth is Sheer

Woven Cloth for Ruffle

My new woven cloth is as sheer as I’d hoped. You can see the treadles through the cloth.With each of my recent warps, there is something different. This is my second sewing thread warp and I increased the sett a bit so the wefts won’t pack down when I beat on an open shed. (See “Weaving for Beginners” and Book #3, “Weaving & Drafting Your Own Cloth”.)

I Have Many Projects Going On

I’ve mentioned my fiber optics weaving project and the work on the blog and web site. These are just two things on my mind besides trying to weave the sewing thread warp and the wavy wefts warp. Another major item is making ebooks. Yet another is making an art book or a portfolio in book form. The keynote speech and seminars in Collapse Weaving and Supplementary Warp for our conference (CNCH) in May are also on my mind. I feel pregnant with at least 9 babies!

Weaving with an Extra Warp

Weaving with more than one warp is something I really like to do. We call it a “supplementary warp” when in theory, it could be removed and an intact cloth would remain.

“Red Square” was woven on 10 shafts–2 for the foundation warp and 8 for the red warp.

The sewing thread warp I’m weaving on now has a supplementary warp, too. In this case these warps aren’t threaded in heddles, but between them. See more in previous posts.

I weight my supplementary warps with washers that are hanging from shower curtain hooks.

The knot to use (because it is easy to undo and redo as needed) is described in 3 of my books because I think it is so useful. “Weaving for Beginners”, Book #2: “Warping Your Loom & Tying On New Warps”, and Book #3: “Weaving and Drafting Your Own Cloth”. See the chapter, Two or More Warps in Book #2 for details.

Weaving Begun (photos)

Weighted Supplementary Warps

Here is the back of my loom–weights are holding the purple supplementary warp and also the selvedges. I’m sampling to see what the colors in the warp will be like and to see if I can get sheer again. The extra warp isn’t threaded in the heddles, but between every 8th warp thread. They are in the same position as floating selvedges–in the middle of the sheds. When I want the  supplementary threads on the top, I shoot the shuttle under them. When I don’t want them to show, I put the shuttle over them. I learned this technique as “split broche.”

Supplementary warps above heddle eyes